当难民萨尔玛获得居留许可时，她发现她和她儿子没有了国籍。于是，萨尔玛为了他们失去的国籍能够重新获得承认而努力坚持。 　　When Salma, a refugee, gets her residence permit, she discovers that the authorities have withdrawn her nationality and that of her son. Salma then fights for the recognition of their lost nationality.

当难民萨尔玛获得居留许可时，她发现她和她儿子没有了国籍。于是，萨尔玛为了他们失去的国籍能够重新获得承认而努力坚持。 　　When Salma, a refugee, gets her residence permit, she discovers that the authorities have withdrawn her nationality and that of her son. Salma then fights for the recognition of their lost nationality.

A ritual in the form of a film essay that explores, through collage, the feeling of displacement when migrating in early childhood, as an initial configuration of detachment from territory, family environment, and the body, while seeking to recover the origin as a symbolic center.

A ritual in the form of a film essay that explores, through collage, the feeling of displacement when migrating in early childhood, as an initial configuration of detachment from territory, family environment, and the body, while seeking to recover the origin as a symbolic center.

《失所于时》追溯一个伊朗家庭流散于数十载光阴与不同大洲间的故事。家，成了一段支离破碎的记忆，遥远却可触。在日童年的Hi8录像，借由屏幕共度的诺鲁孜节（Nowruz），以及对已不复存在的旧室之梦，共同拼贴出一幅离散生活的私密图景。影片的核心是导演母亲的歌声——她那在伊朗被禁止的歌唱，在此成为一种抵抗之举。她的歌声如一缕游丝萦绕于影像之间，串联往昔与当下，系缚可见与未见。 　　此片最终叩问：离散所重塑的，不仅是我们的容身之地，更是我们栖居于时间的方式——唯有在影像那脆弱的疆界里，我们才得以真正重逢。

创意写作课的老师（马丁·弗瑞曼 Martin Freeman 饰）与他有才华的学生（珍娜·奥尔特加 Jenna Ortega 饰）发展出了复杂的结果。

Across the European Union, access to abortion, IVF and assisted dying varies drastically from country to country. Terminations are illegal in Malta, while nations like Italy protect a woman’s right to choose. If an Italian woman wants an IVF procedure, however, she must go abroad to countries like Greece. To circumvent these border restrictions, European residents are increasingly turning to medical tourism as a solution. While logistically practical, this personal travel can make for extremely vulnerable experiences. In this bold experiment, cameras accompany those seeking prohibited treatments from the start of their journeys, and the equally dedicated opponents they meet en route. Real women, performance artists and activists from both sides of the moral divides are given voice and space in this daring social critique. As controversial as it is timely, Stray Bodies demonstrates just how arbitrary bodily autonomy can be.

Across the European Union, access to abortion, IVF and assisted dying varies drastically from country to country. Terminations are illegal in Malta, while nations like Italy protect a woman’s right to choose. If an Italian woman wants an IVF procedure, however, she must go abroad to countries like Greece. To circumvent these border restrictions, European residents are increasingly turning to medical tourism as a solution. While logistically practical, this personal travel can make for extremely vulnerable experiences. In this bold experiment, cameras accompany those seeking prohibited treatments from the start of their journeys, and the equally dedicated opponents they meet en route. Real women, performance artists and activists from both sides of the moral divides are given voice and space in this daring social critique. As controversial as it is timely, Stray Bodies demonstrates just how arbitrary bodily autonomy can be.

在英国对印度的殖民统治下，一个叛变的上尉带领一群歹徒通过一系列越来越危险的抢劫展开的动作惊悚大片。

在英国对印度的殖民统治下，一个叛变的上尉带领一群歹徒通过一系列越来越危险的抢劫展开的动作惊悚大片。